Archive for April, 2009

{MP3} Steve Earle – “Townes” (New West, May 12)

Tuesday, April 7th, 2009

I don’t think I ever had any doubt that Steve Earle could pull off a Townes Van Zandt cover project. He’s got too much invested in the project to fail artistically; the vagaries of the market for tribute CD’s will determine if it’s successful commercially. The four reasons he couldn’t fail are that he named his son after Townes, Townes was a great friend and early mentor, Steve’s gone though some of the same problems that killed Townes, and finally Steve has a way with interpreting other people’s material. By and large when Steve Earle records fail it’s due to overt political themes in the songs but not in his style, his musical choices, or his vocals. So with this project the songs were guaranteed to be killer and all other variables mentioned above are all accounted for.

The one flaw I can find is that of omission. I would have loved to hear Steve’s take on “Snowing on Raton” but still songs like “Pancho and Lefty”, “White Freight Liner Blues” and “Brand New Companion” are all represented. In fact, here’s “Poncho and Lefty”, arguably Townes’ most famous song due to the version by Willie Nelson.

Pre-order Townes here.

Poncho And Lefty

{Mp3} New record from Dave Alvin And The Guilty Women (Yep Roc, May 21)

Monday, April 6th, 2009

The problem I have this week is plenty of great new music but not enough time to give it justice. One of the interesting new releases is a record from Dave Alvin and the Guilty Women. Dave Alvin recently lost friend and bandmate Chris Gaffney, seeing as it was too early to go on with his old band The Guilty Men he hooked up with a bunch of women instead and altered the name somewhat. I think it altered his sound a bit too. The Guilty Women are Cindy Cashdollar, Nina Gerber, Christy McWilson, Laurie Lewis, Amy Farris, Sarah Brown, Lisa Pankratz, and special guests Marcia Ball and Suzy Thompson.

Dave Alvin once said, “There are two types of folk music: quiet folk music and loud folk music. I play both.” And while Dave Alvin can rock the telecaster with the best of them on here he’s let the women’s softer side take center stage. On “Potter’s Field” the Guilty Women let their harmony vocals wash over a song about a final resting place where peace and tranquility reign. Pre-order the new record here.

Dave Alvin

Potter’s Field

Bonus mp3 from Dave Alvin’s Chris Gaffney tribute (also out May 21)

King Of The Blues

Ana Egge/Rachel Ries play Chicago

Friday, April 3rd, 2009

For fans of the music on Songs:Illinois this coming Saturday’s booking at Fitzgerald’s is a dream come true. Ana Egge has just released her new record Road To My Love and has just picked up a nice review in Rolling Stone. Buy it here. Rachel Ries is a longtime favorite of S:I who despite her talent doesn’t play out in Chicago near enough. So here’s your chance to see both in the comfy confines of Chicago’s finest roadhouse.

Bully Of New – Ana Egge
Waiting To Fall – Rachel Ries w/Anais Mitchell

Two new songs from LA’s Henry Clay People

Friday, April 3rd, 2009

I know it’s a little late for a SXSW recap. But there was one group that surprised me with their maturity, their fun-loving, rough-around-the-edges, old school rock n roll and quite simply their joie de vivre. The band comes from LA and should be burnt out and dehumanized by that city by now, but the impression I got from their showcase at the Mohawk was of a band on the rise that could fill (or at least borrow) the shoes of The Replacements or The Ramones.

The band I’m referring to is the Henry Clay People from the Aquarium Drunkard spinoff label Autumn Tone. I have a bad habit of writing off a lot of bands that get too much attention from the blogs or from the press. and fortunately for Justin at AD this has been the case for several of his Autumn Tone groups. But to ignore the energy, humility and songcraft that the Henry Clay People displayed at SXSW would be a sin. I asked Justin if he could swing a couple of unreleased songs from the band since a quick search of Elbo.ws or Hype Machine will bring up the blog hits from the bands first record. He complied and sent these two live demos of songs that will appear on the upcoming record. They capture the raw energy of the band, as well as show how they’re honing a unique roots rock sound.

I Was Half Asleep
End Of An Empire

Bonus:

Something In The Water
Working Part Time (the band’s theme song of sorts)

Deathgrass from Black Death Allstars

Thursday, April 2nd, 2009

I like all these newgrass bands (Crooked Still, Infamous Stringdusters) as much as the next guy. But I’m more fond of bands that take bluegrass and distort it so that it probably resembles the original music of the early 20th century. I was first exposed to this sub (sub) genre by The Cankickers and ever since I’ve been keeping my eye out for more.

Black Death Allstars call their music deathgrass and have more in common with O’Death (whom they’ve opened for) than they say Bob Wills. Their songs harken back to an age when people brewed their own liquor, hoboed (sp?) around the country, and generally were anti-social unemployed deviants. Basically what we’ve got now in 2009.

These songs are from their debut release Transient Breakdown that just came out. The songs were recorded in one 5 hour session and of course were done live with no overdubs. You can get your own copy with original artwork by emailing here – deathgrassallstars@gmail.com or through CD Baby here.

The band plays the annual anarchy skate party festival known as Skatopia (“Their tag line is ’88 acres of anarchy’, and the whole weekend will be filled with burning cars, gasoline explosions, people breaking bones skating really difficult ramps, metal and deathgrass”) this weekend. Check out that scene in the YouTube video below.

Trainhop Story Rag
Corn Liquor

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Skatopia

{MP3} Li’l Mo and the Monicats – “On The Moon” Cow Island Music, March 17)

Wednesday, April 1st, 2009

I couldn’t wait for Honky-Tonk Friday to post these nuggets from Li’l Mo and the Monicats. Li’l Mo has a new record that came out on Cow Island Music on March 17 titled On the Moon. It’s not hard or rugged country but instead its got that smooth around the edges Patsy Cline country sound.

Cow Island Music may have a terrible name but the label is home to some of the best East coast honky-tonkers like The Dixons, Starline Rhythm Boys, Nate Gibson, and Preacher Jack. So while this seems like a random artist on a weird label it’s a little more than that and deserves your full attention.

Order On the Moon here.

I Could Get Used To This

Bonus:

He’s A Handful