Archive for the ‘Alt-country’ Category

K.C. Mckanzie (Berlin’s answer to Gillian Welch) and her new record “Hammer & Nails”

Friday, October 10th, 2008

Starting every fall the release schedule for both major and minor releases starts to dry up. There’s a huge drop off as major labels get positioned for Christmas sales of their biggest titles and indie labels lick their wounds and prepare for a cold, dark winter. So I traditionally do a best of re-post kind of thing. A little like a best of but in no particular order and unlike any best of list you’re likely to see elsewhere. I’ll probably do that again this year, but I also will continue to search high and low, near and far, for new music to share with you. I searched far for the German singer-songwriter K.C. Mckanzie. And I’m glad I did.

K.C. Mckanzie’s new record is called Hammer & Nails. Her music can be traced back to the story of the first time she heard The Band and thought this is the sound. While still in her teens she discovered bluegrass and the rest is history. Here’s the lead off track from Hammer & Nails:

Adam

Hal Ketchum’s new record “Father Time” (Curb Records, Sept. 9)

Tuesday, September 30th, 2008

I’m not sure how Hal Ketchum wants to be marketed. His website and Myspace are a jumble of competing messages. Is he a rebel and not part of the Nashville circuit as his tattoo’s and honky-tonk appearance suggests or is he a well manicured product of the Nashville machine as his perfectly coiffed hair and scarf suggest.

I think he’s probably somewhere in between. Caught between no longer being a young rebel and not yet an old favorite. The new record Father Time positions him well though and the song “Millionaire’s Wife” with it’s catchy chorus and authentic banjo (and near gospel backing vocals) bridge that gap between fame/fortune and artistic merit. You can buy the new record here now.

Millionaire’s Wife

Bluegrass Tuesday (sort of) with Brooklyn band Yarn

Tuesday, September 23rd, 2008

One of the best records I’ve heard all the way through in the newgrass/bluegrass/alt-country style is from the Brooklyn based band Yarn. The bulk of the songs on the new record, while not completely traditional, are acoustic based mid-tempo numbers accented by fiddle and mandolin. As a result this record doesn’t rawk, though it does reel quite nicely.

The appropriately titled “Can’t Slow Down” is one of the most up tempo songs on here. But the slower songs are standouts as well – particularly the ones featuring guest vocalists Edie Brickell and Caitlin Cary.

Buy Empty Pockets here now.

Can’t Slow Down

Rachel Harrington – “City of Refuge” (SkinnyDennis Records, Sept 30) and a couple nice demo’s from Madison based indie folkster Mike Behrends

Thursday, September 11th, 2008

Rachel Harrington released her critically acclaimed debut record in 2007 called The Bootlegger’s Daughter. She’s now ready to follow that up with her sophomore effort – City Of Refuge. It features Tim O’Brien on fiddle and Holly O’Reilly and Pieta Brown on backing vocals. The song I have for you reminds me of the melancholy female characters in the AMC series Mad Men. In fact if there was any justice in the world this would be their theme song.

City of Refuge comes out on September 30 on Rachel’s own label, but you can pre-order an autographed copy now here.

Housewife’s Lament

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I got a refreshing email from an artist today; refreshing because it didn’t ask me to write about his music. Instead it just asked if I knew of any great places an indie folkish musician might play in and around Chicago. Besides all the obvious places (Schubas, Uncommon Ground, Hideout, Old Town School) I don’t have an easy answer. But despite not being asked to, I’m still going to tell you a little about the music of Mike Behrends.

Mike is an unsigned artist from Minneapolis now living in Madison. He plays a variety of stringed instruments, but it’s his lyricism and plaintive (often to the point of breaking) vocals that steal the show.

“Sally Gal” sounds like it was written eons ago; both the lyrics and the banjo playing. While “If I Grew Out My Beard” fits nicely within the burgeoning indie folk movement with it’s undrstated delivery and nice, closely-miced hand claps. These are both demos that should appear sometime on a record titled The Bicycle Corp Of America.

Sally Gal
If I Grew Out My Beard

Honky-Tonk Friday – The Wasco Brothers – “What You Doing In Abilene?”

Friday, August 22nd, 2008


(Exhibit A – bad cover art)

The new Wasco Brothers record Jackknife is proof positive that you don’t need a good press packet, band photo, cd artwork or even a good band name (I can’t not read that as Waco Brothers!) to create lasting music. The band’s new cd is a stretch for Honky-Tonk Friday as it’s said to incorporate elements of pub rock, British invasion and even a bit of psychedelia.

But the song “What You Doing…” has just the right combination of twangy telecasters and heartbreak to qualify as honky-tonk. Order Jackknife here through Miles Of Music (It’s A Cracker – 100% Guaranteed).

What You Doing In Abilene?

Honky-Tonk Friday with Austin’s Dedringers

Friday, August 1st, 2008

Here I am to fulfill my contractually mandated 1 post a day. Plus it’s honky-tonk Friday so I didn’t want to leave you high and dry on that front.

This song from the Dedringers is more of a combination Big Star meets Wilco than say the true honky-tonk of Waylon, Merle or Johnny. But with lines like these it’s clear where these young Texan’s hearts reside:

Woke up in a van sleeping down by the river
Goddamn my liver, how long have I been here?
Knocked out loaded since the trailer exploded
I aint seen the sun since the last time I voted
in ’88

The band’s new release came out in July, but is just now starting to tear up the americana charts and sympathetic radio stations like MMM in Madison. Buy Sweetheart of the Neighborhood here via Waterloo Records.

Institution

The Bittersweets

Monday, July 7th, 2008

I wrote about The Bittersweets here when their Virt Records debut was coming out. I haven’t given the band much thought since then. But they’re back with a new record and a new label. Compass Records has announced a September release of their followup to 2006′s The Life You Always Wanted. Goodnight San Francisco is due out September 9th. The title alludes to the fact that the band has left San Francisco and relocated to Nashville. The band has also left two members behind and become a trio. You can preview the song “Wreck” here now.

“Wreck” is a pretty solid bit of pop influenced alt-country. Hannah Prater’s vocals are just this side of pissed off and they add plenty of angst to this tale of heartbreak.

Wreck

Peter Cooper’s “Mission Door” (Red Beet, April 1)

Tuesday, May 27th, 2008

Last time I wrote about Peter Cooper it was on a Honky Tonk Friday, he didn’t quite fit then and he doesn’t fit now. But this time I can’t wait `til Friday to write about his new record Mission Door on Red Beet Records. Mission Door is a re-release of his debut record Cautionary Tales. But as is the case with most self released records this one initially didn’t make a dent with the public despite awing critics and fellow musicians. So a re-do is in order.

Here’s two liquor soaked tunes from Mission Door. Buy it here now.

Wine
All The Way To Heaven

Dao Strom – “Everything That Blooms Wrecks Me” (Self-released, April 30)

Wednesday, May 14th, 2008

Not to toot my own horn, but what the heck, I was one of the few bloggers that picked up on the atmospheric roots music of Dao Strom a few years back. Now that she’s back with a new record I’ll be glad to get out in front again. Everything That Blooms Wrecks Me is out now after a recent cd release party in Alaska. It’s a more accomplished record than her first, or at least it seems that way, since it’s a little more fleshed out with a variety of instruments and a slightly more full sound.

Dao is more well known for her critically acclaimed fiction than for her earthy, unusual, and heady music. Her first two books were well received, as was her 2005 debut record Send Me Home. Musically Dao is firmly planted in the indie folk/out-there alt-country genres. It’s clear that her music is informed by her life experiences and her diverse cultural and ethnic background (Dao is Vietnamese but grew up in the mountains of Northern California and now lives in Juneau, Alaska).

This new record has a very rural feel to it. It oozes modern hippie. Not in a bad way of course, but more along the lines of the freak folkers like Devandra, Alela Diane and Marie Sioux. The title track is a beautiful cello and piano based number with Dao’s vocals front and center.

You can buy Everything That Blooms Wrecks Me or Send Me Home or her novels for that matter all here.

Buy the new record here.


Everything That Blooms Wrecks Me

Bonus track:

Send Me Home

Honky-Tonk Friday – Rancho Deluxe’s upcoming record “True Freedom” (Self released, July)

Friday, May 9th, 2008

This new record from Rancho Deluxe should go a long way in separating the band from their Californian alt-country brethren. True Freedom is the band’s second album and features a sterling cast of supporting characters including Don Heffington on drums and Skip Edwards on piano.

“Maintenance Man” may be the first time in song that the lonely janitor get his due. It’s an odd litle ode to the working man but it works due in part to the layers of guitar, mandolin, pedal steel, bass and drums.

You can order this July release a little early here now.


Maintenance Man

Misc. Thursday – New records from Joshua James, Annie Keating, and Matt Bauer)

Thursday, May 8th, 2008

These are a couple half-written posts from the last month. I never had the gumption or the wherewithal to fine tune them individually. So I added them altogether for a nice little group post. Enjoy.

This record, The Sun Is always Brighter, by Joshua James has been kicking around for a year or so. Due to his popularity, tour dates opening for some pretty fine artists (Justin Townes Earle, Lex Land and The Swell Season) and great press it will be be remixed and reissued on CD and vinyl in June.

FM Radio

Bonus

http://homepage.mac.com/cbonnell/Sites/.Public/custom-concern.mp3“>Custom Concern
Soul and The Sea

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Annie Keating is a NYC based Americana artist who has been compared to Lucinda Williams and Gillian Welch. But her slow tempo, often langorious alt-country is more in the realm of Mary Gauthier. Her vocal delivery always traverses the same range as well…it’s like a low growl. Her new record is called Belmont and is available here.

The title track shows why this genre is perfectly suited to nostalgic songs about growing up, growing old and remembering it all like it was just yesterday.

Belmont

For The Taking

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Matt Bauer is prepping a new record for Crossbill Records. It’s called The Island Moved In The Storm and is a co-production with the label La Societe Expeditionnaire. I’ve written about Matt’s introspective indie folk before here and here.

Matt’s recently moved from the West coast to NYC and I wonder if that move has influenced this new batch of songs. On “Don’t Let Me Out” there’s a bit more to the production (including a dissonant accordion) than just the acoustic guitar of the past. I’m really looking forward to this new record from Matt Bauer.

Don’t Let Me Out

From the stripped down Hinah session recorded on April 10 in France

Sea Lion Woman

Carve It Out

Hayes Carll Animated Video

Wednesday, April 16th, 2008

It’s amazing how much music/videos/live shows/b-sides/remixes etc., etc., you can miss out on. I just found this little animated Hayes Carll video with him talking about his past, dealing with Freebird requests, and what’s it like playing your music in a honky-tonk. Also features songs from Hayes’ new record Trouble In Mind out now on Lost Highway. Pretty cool. Freebird!!

Two Fingers Of Firewater travel the same “Endless Highway” as The Byrds, Gram Parsons and Wilco (Self-released, May 26)

Monday, March 31st, 2008

Someone wrote the other day that Songs:Illinois is the defacto blog for Americana. I liked that, but I’m not sure if it’s quite true. The songs I post and artists I review don’t all fit into the neat and tidy definition of Americana (at least how it’s defined by radio and magazines like No Depression RIP).

I’m really more on the hunt for music that seems genuine, honest and unpretentious and not music that fits into any one category. Two Fingers of Firewater fit the bill. They’re a UK based band that cites The Byrds, The Band, Kings Of Leon, Yo La Tengo and Wilco as influences. So that’s a pretty diverse bunch. And since the UK has brought us two of the best roots rock bands of the last few years (The Broken Family Band and The Tailors) I’m pretty excited by this find.

The band has a new album, their debut, that has leaked out prior to its May 26 release date. You can buy it here in the states from CD Baby.

The song “Endless Highway” does have that classic Americana sound especially with its heavy use of pedal steel and the classic imagery of a highway, beer, and a setting sun.

Endless Highway

Honky-Tonk Friday – David Serby’s Incredible Story And His New Song “Permanent Position”

Friday, March 28th, 2008

(David Serby with his biological father Peter Canton)

David Serby’s had quite a week but it’s no match for the life he’s already lived. See, Serby’s life story became page one news in the L.A. Times this week and then the story was syndicated throughout the country as well ( I read it in the Chicago Tribune). It’s a story that will bring a tear to your eye about a son in search of his biological parents and long lost brother. To sum up: David’s parents gave him and his brother up for adoption. Although his parents were not married at the time, they eventually did marry. David began his quest to find his parents when his adopted father passed away. During the quest to find his parents he learned for the first time that he had a brother. He eventually found his brother and his biological parents and the reunion happened. Click on the link to read the story in greater detail and by a writer with actual skill.

The twist, and how it relates to Songs:Illinois, is that David Serby is an acclaimed singer-songwriter of the California school of alt-country (heavily influenced by the Bakersfield sound)(he’s got friends like Mike Stinson and Dave Gleason). Turns out that he’s always been musically inclined, despite his adoptive parents lack of musical talent. Stranger still, once he found his father he learned that he’d been playing country music in juke joints and VFW halls for decades.

I’m thrilled to be the first to share with you this new song from David Serby which will appear on a forthcoming record due out in July. The song is called “Permanent Position” and basically describes Norm Peterson’s character (played by George Wendt) in the 80′s comedy Cheers and Norm’s attitude on life. Which in a nutshell is: if only you could get paid to sit on a barstool, drink beer, and shoot the shit.

You can purchase either of David Serby’s available records here or here through Miles Of Music.

Permanent Position

“The Grass Is Always Bluer”

SXSW Preview Pt. 3 – Kitty Daisy and Lewis

Thursday, February 21st, 2008

The British are coming! The British are coming!

As a proponent of Swedish music (here) I expect you might think I’d say that the Swedes will make a mark this year at SXSW. But I think that this is the year of the British band.

Kitty Daisy and Lewis are the Pipettes; if they were emulating the cool kids from the 50′s instead of the squares. They’re the Pipettes, if the Pipettes drank whiskey and listened to Johnny Cash and Elvis Presley. They’re the Pipettes, if the Pipettes weren’t an artificial media creation. They’re the Pipettes, if the Pipettes had any soul.

“Mean Son Of a Gun” is an amazing cover, but the question is can these gals write and record their own material. There are rumors of a debut full length on Sunday Best this spring, so we’ll have our answer then.

They’re playing three times so far at SXSW: March 12 for Fatfox, March 14 for British dj Rob Da Bank and March 15 for Mojo.

Mean Son Of A Gun


We Dreamed America – A Twisted Tale of British Roots and American Music
is a documentary film about the British roots scene. The thesis behind the film is that good country music can exist in the UK and that one band is going to break out of that scene soon. Lay your money on Kitty Daisy and Lewis or The Broken Family Band.

Rodney Parker And 50 Peso Reward – “The Lonesome Dirge” (Self-released, April 8)

Wednesday, February 13th, 2008

The title The Lonesome Dirge is a bit of a misnomer for this brawny heartland rock meets smoky Texas twang of a record from Rodney Parker and 50 Peso Reward.

I wrote about Rodney Parker way back in the infancy of this site. So there’s some history there. That counts for something, plus the $100 dollar bill inside the CD case (just kidding). But all of that familiarity doesn’t breed contempt, nor does it lessen the fact that this sounds like a damn fine record.

The song “11 Hours” is a standout track, but it’s the only one like it on the record. “11 Hours” is an atmospheric ballad that’s vocals are run through a long delay. It’s unlike a lot of the rockers on The Lonesome Dirge until the end when it kicks it up a notch. If this piques your interest find out more here.

11 Hours

Two New Songs From Justin Townes Earle’s Debut – “The Good Life” (Bloodshot Records, March 25)(plus three more songs from his earlier self-released EP)

Monday, February 4th, 2008

How’s this for pressure? You’re Steve Earl’s kid, your middle name is Townes, and you’re about to release your debut record on the premier alt-country label in the country. That’s the position Justin Townes Earle finds himself in. On these songs from The Good Life, his debut full length out soon on Bloodshot Records, you can certainly hear both his dad and his namesake.

“Who Am I To Say” does in fact sound like dear old dad at times, but before drugs, age, smoking and a hard living altered his voice to the point that it’s now just a low growl. The song itself is an autobiographical tale that attempts to deal with his dad’s myth and his flawed relationship with him. But on “Hard Living” you can also hear Justin’s attempt at creating his own style. That song is an old-timey piano, violin and banjo romp, and is unlike anything I’ve ever heard from Steve Earle.

You can buy his six song EP here. Here’s two songs from The Good Life out on March 25th on Bloodshot.

Who Am I To Say
Hard Living

Here’s three songs from the first EP – Yuma:

Ghost of Virginia
I Don’t Care
Yuma

New songs from Tift Merritt’s “Another Country”

Monday, January 28th, 2008

Tift Merritt is not going to blow up in the blog world (despite recent profiles by Chromewaves and To the Dogs or Whoever). She lacks the angst of a Kathleen Edwards, the road-weary, cigarrete and whiskey voice of a Lucinda Williams, or the sexual allure of a Cat Power. But her new record, Another Country, may well be the culmination and the grand achievement after years of singing, songwriting and performing live.

The songs I’ve heard have that intangible quality where they are not easily classifiable as alt-country, Americana or soul. On a song like “Morning Is My Destination” the organ, powerful guitar solos and Tift’s lovely voice make the song seem timeless (production credit once again goes to Jayhawks producer George Drakoulias).

Pre-order here through Amazon.

Morning Is My Destination
Broken

Mark Jungers – Silos and Smokestacks (plus a honky-tonk Christmas song)

Monday, December 10th, 2007

Mark Jungers had an unheralded Texas style americana record out in 2007 called Silos and Smokestacks. But for those in the know Mark Jungers is known as an up and coming honest to goodness country music songwriter of the highest order. Mark grew up on his family farm so it’s easy to imagine the sentiments heard on the song “Silos and Smokestacks” are both sincere and based in part on experiences he’s had.

Mark’s new record, Silos and Smokestacks, was released this fall and is available in any fine Texas record store, as well as all the usual Texas Music online outlets, or you can pick it up now at CD Baby here.

Silos and Smokestacks

Mark Jungers’ Honky-Tonk Christmas song:

The Christmas Song

P.S. Big Rock Candy Mountain is back from the dead and going full bore. He’s compiling the best country music Christmas songs you’ve never heard of but wished you had. Check out his new site here and his drinking song sister site Barstool Mountain here.

Glenna Bell – The Road Less Traveled (Sugar Hill, January 22)

Monday, November 26th, 2007

I’d like to kill two birds with one stone this morning. I’ll accomplish this feat by linking to an mp3 off the new record by Glenna Bell called The Road Less Traveled and at the same time sharing her Christmas song from the same record with you. Thus filling my quota of classic country and Christmas music.

Glenna Bell is a real throwback to the most classic country sounds of years past. In this way she is nearly unclassifiable in today’s music world ( I wrote about her first here). Her voice has a limited range, but an honest sound. While her songs speak volumes about being a quirky southerner in a world full of northerners. She’s like the singer that time forgot. But meanwhile on “How I Found Out I’m Insane” she runs down a list of reasons she’s probably crazy and it’s pretty modern stuff – check out the background male vocals and the odd little synth sounds midway through.

Buy this January release on Sugar Hill now through Cd Baby here.

How I Found Out I’m Insane

Be My Valentine On Christmas

“Hoping I Could Be Wrong” (2005)