Archive for the ‘Americana’ Category

Geoff Muldaur & The Texas Sheiks

Thursday, October 29th, 2009

There’s been one hard to find record I’ve been dying to write about. I wanted to write about it for a number of reasons but foremost of these was the fact that it featured Stephen Bruton. Stephen died of cancer in 2009 and aside from the one last project he recorded with T-Bone Burnett this was his last recording. He was sick with cancer at the time Texas Sheiks leader Geoff Muldaur proposed doing the session. I can just imagine the fun they had all getting together in Austin to record these old timey jug band, string band, blues and western swing songs.

In fact here’s a quote from the Boston Herald on exactly what the sessions were like:

“The recording sessions were originally set up to give Stephen something to do,” Muldaur said. “He was fighting cancer, and we got a bunch of people down in Texas just to have some fun and get his mind off it. Stephen was going through chemo torture. He’d come in, laughing, just hours after treatment. Bruton put all that slippery Texas stuff in there. Is there any in the current crop of guitar luminaries to compare?”

Coming in a close second of reasons I wanted to highlight this record is the fact that it features the aforementioned Geoff Muldaur of the famous Muldaur musical family (Maria et al). I’ve loved Mr. Muldaur’s solo work. In fact I would count his two records for Hightone as among the best the genre has ever seen (Password and The Secret Handshake).

I’m not going to plead with you to go and and buy every record I mention but if you are a fan of either contemporary roots music or old timey string bands than you really must purchase Texas Sheiks here through Amazon or in Europe here through the band’s label Tradition-Moderne.

The World Is Going Wrong

Cam Penner – “Trouble & Mercy”

Wednesday, October 28th, 2009

When I was making my internet rounds of all things roots music there was one name on the Americana charts that I didn’t recognize. Mixed in with Lyle Lovett, Kris Kristofferson, Roseanne Cash and Guy Clark was Cam Penner. Cam Penner is from Southern Manitoba, his bio describes a rich life spent traveling the country performing with some of the greats (Flatlanders, John Prine, Glen Cambell). He’s a completely indie artist putting out his own records and booking his own tours. In that way he’s like many of the artists featured on Songs:Illinois. That he’s had so much success is testament to the quality of his songs. Here’s the track “13″ from his brand new record Trouble & Mercy. Buy it here.

13

PS Here are the album notes from Trouble & Mercy:

“I found these songs in the alleys and streets. Under a dumpster. In the remains of discarded trash. Faded phone numbers and addresses on cigarettes packs. In empty clubs, gas station pumps and front page headlines. On the bottom of a styrofoam cup. In the last drag, stuffed in the glove compartment. Between sofa cushions. On the side of the interstate. Waking up beside her, watching two worlds collide. In the dives and diners. At cheap no tell motel rooms where you sleep in your clothes, shoes on. Stopping when I saw something shiny. Walking through the ditch, kicking at the tall grass, searching for a dime. Living hand to mouth and waking up to stove top coffee. In the madness of a rich man’s town, where the poor and elite collide. There in the midnight hours, I’d sometimes peel back the gauze and poke it to see if still hurt.”

Chris Scruggs – “Anthem” (Cogent Records, Oct 24)

Monday, October 26th, 2009

The new song by Chris Scruggs threw me for a loop. It wasn’t at all what I expected. In the past I had Chris (who is the former frontman of BR549) pegged as a neo traditionalist content to put out twangy honky-tonk and nothing more. But the guy is young and talented and is setting off in new directions on his new record Anthem. He’s enlisted the help of folks like Howe Gelb (Giant Sand), Nick Luca and Paul Niehaus (Calexico), Don Herron and Harvey Brooks (Bob Dylan), BR549 and Kelly Hogan.

I’m still undecided on this one song from Anthem. But I appreciate what Chris Scruggs is trying to do in his attempt to redefine the sound of roots rock. Buy it here directly from Chris Scruggs.

Josephine

Asylum Street Spankers – “God’s Favorite Band”

Wednesday, October 21st, 2009

Yesterday’s post was from forty years ago. The music for today’s post is from this year but sounds like it was recorded a hundred years ago. Go figure! The Asylum Street Spankers’ new record God’s Favorite Band is a live concert recording of mostly gospel inspired music. But as you can see from the photo above this is not your grandpa’s gospel group.

To celebrate the new record the band is going out on a tour called Salvation and Sin. The first half of the show will feature the stomping gospel sounds of the new album while the second half will deal with more earthly, secular songs of lust, love and other important topics. Check their website for tour dates.

Last Mile Of The Day

Matt the Electrician – “Animal Boy” (Available now)

Wednesday, October 7th, 2009

Matt The Electrician is an all around great dude. You’ll hear that from his friends, colleagues, and acquaintances. He’s also a pretty great songwriter and instrumentalist. Unlike some artists that release dozens of records but never show you their true face, on Animal Boy, Matt leaves no personal or autobiographical stone unturned. It’s all in there for the good of the song and I suppose Matt’s sanity.

Even the cover songs are used to relay Matt’s heartfelt emotions and made his own like on “Faithfully” where he pledges lifelong fidelity to his lover. Or on his own song “Got Your Back” where he pleads his case once again for staying together forever through thick and thin. But it’s this song about a letter he actually wrote to the Walmart customer complaint department about a worker who helps him in his time of need that is both autobiographical and hilarious that I share with you today (listen as he rhymes “garage” and “assuage” and name drops Miley Cyrus amidst other literary feats of heavy lifting).

Animal Boy just became available on CD Baby, I suggest you scoot over there and get yerself a copy.

For Angela

Jess Klein – “Bound To Love”

Monday, October 5th, 2009

I don’ have much time so please don’t hold the length of this post against me or more importantly against Jess Klein. Jess hits three of my musical pressure points: she’s originally from Boston (so am I), she recently relocated to Austin (I love Austin!), and she’s cute (shouldn’t matter, but it does). Her new record Bound To Love is influenced by the rootsy nature of that Texas town. And this song, “Postcard”, is dusty and nostalgic in just the right amounts. It sounds like very early Lucinda Williams (which is a very good thing).

Order the new record here.

Postcard

Wingdale Community Singers – “Spirit Duplicator” (Scarlet Shame Records, Nov. 17)

Wednesday, September 30th, 2009

From the moment I heard of The Wingdale Community Singers I was intrigued. The band was “put together” by novelist Rick Moody and features Hannah Marcus and David Grubbs (Squirrel Bait). They set out to celebrate old time Appalachian music as well as the written word.

I’ve written about the band here and you can read a first person account of the band by Rick Moody in the Guardian here. So I don’t have much more to say, except that their blend of secular dance music (Appalachian folk) with gospel and strains of rock is just so good. Their new record is called Spirit Duplicator and is out on Scarlet Shame Records (purchase now here or here).

Here’s the one cover on the record, the Carter Family’s “Death Is Only A Dream”.

Death Is Only A Dream

Honky-Tonk Friday – The Emmitt-Nershi Band (members of Leftover Salmon and The String Cheese Incident)(Sci-Fidelity, Sept 29)

Friday, September 25th, 2009

Of course this song by the Emmitt Nershi Band is not honky-tonk. But I’m being pretty loosey goosey with that term. The band gets it’s name from some real kings of the newgrass/jamgrass movement. Drew Emmitt (Leftover Salmon) is on mandolin & vocals and Bill Nershi (the String Cheese Incident) is on acoustic guitar and vocals.

On the title track “New Country Blues” the musical performances are near virtuosic and the lyrics hit all the key country themes (corn whiskey, country life vs. city life, and holding your best girl in your arms).

Preorder New Country Blues here.

New Country Blues

Honky-Tonk Friday – McCabe & Mrs Miller (Victor from Camper Van Beethoven)

Friday, September 18th, 2009

There was a time when I religiously followed Camper Van Beethoven. I liked their sound more when it was frantic folk based rather than punky. I also followed all the spinoff bands and solo records. That time has passed though and I no longer am up to date on all the goings on in the old Camper Van clique. Enter McCabe & Mrs. Miller.

However, when I heard about this record by Victor Krummenacher and Alison Faith Levy of The Sippy Cups I was intrigued. From Victor’s past recordings I knew he leaned more folk/country than punk. Together Victor and Alison have that kind of California americana sound. A sound that is dusty but at the same time refined. I think of Chuck Prophet and Dave Alvin being in that same mold as well. Here’s a sample from their new debut record Time For Leaving. Pick it up now at the newly redesigned CD Baby here.

Fare Thee Well

Red Rooster – “Walk” (Self-released, Sept. 22)

Friday, September 4th, 2009

I almost had no post today. Luckily an email from the New York based folk collective Red Rooster came to the rescue. I wrote about the band here. Their new record comes out September 22 and is called Walk. The band takes the tag Americana very loosely. They’re a big group comprised of various horn, string and percussive instruments. With the horns and the harmony vocals at times the band leans more soul, and then at other times when the mandolins and banjos kick in they are more folk based, and with the occasional samples and electronics they practically invent their own unique genre at times. Sometimes all of that is present in one song like in “Bluebird” below. It’s this diversity of sound that sets the band apart.

The band has chosen the Radiohead model of pay what you like. They’ve done a great job setting up a page that explains their reasoning here.

Bluebird

Live tracks

Linda Lu
One More Round

Kieran Kane – “Somewhere Beyond The Roses” (RIYL Chuck Prophet, Jim White)

Monday, August 31st, 2009

{Editor’s note: Forgive me for not being on my “A Game”. Usually I’m months ahead of the release schedule, but here’s one from way back in June that I wanted to write about but never did. Hope you enjoy it.)

Kieran Kane releases records that are vaguely americana in nature. He has a tendency to skew a little into the eurotrash swampy blues-folk reverb drenched sound of say Chuck Prophet and/or Jim White. It’s the sound of the thick black sentiment layered on the river bottom meeting the clear water of the river. It’s a sound I quite like.

His new record Somewhere Beyond the Roses came out on July 28 on Compass Records. Buy it here.

Why Can’t You

Walt Wilkins – “Vigil” plus more lullabyes (from Tina Wilkins, Tish Hinojosa and Terri Hendrix)

Friday, August 28th, 2009

Walt Wilkins has a new record out called Vigil that unfortunately is flying a bit under the radar. The project came together as a benefit for the Longevity Foundation – an Austin-based charity supporting research into a cure for ataxia-telangiectasia, a degenrative disorder causing premature aging of the nervous and immune systems. Walt Wilkins & The Mystiqueros is a band of Austin based musicians who straddle the line between raunchy Texas bar room country rock and more sensitive singer songwriter fare. As a longtime fan of the southern group Drivin’ and Cryin’ (they of the drivin’ rockers and crytin’ ballads) I have no problem with that duality. In Texas you’ve gotta please the roughnecks and frat boys if you’re going to make it out of the roadhouse alive.

This new project has a bit more of the acoustic material since it deals with and is a benefit for a somber topic. “Gypsy Line” is a song about singing and being a bit of gypsy. It’s about the power of music and the camaraderie among troubadours. It name drops Walt’s great friend Sam Baker (I think), Buck Jones, Walter Hyatt, and Garrison White. Buy Vigil from Lone Star Music here.

Gypsy Line
Dear God

Bonus:

Walt’s wife Tina Wilkins has a song that has turned up on a benefit record supporting the benefits of breast feeding (man, that’s going to increase my hits from random people doing breast searches). Also on there are songs by Kelly Willis and The Dixie Chicks. I’ve linked to a couple I like by Tina Wilkins, Tish Hinojosa and Teri Hendrix, but there are many more here and info on how to download the whole disc here.

World Enough And Time – Tina Wilkins
Eagles – Terri Hendrix
Mountain Lullabye – Tish Hinojosa

The Band Of Heathens – “One Foot In The Ether” (September release)

Tuesday, August 25th, 2009

I couldn’t quite decide what to write about today. I’ve got a couple nice things in the queue but finally decided you can’t go wrong with a new song by one of Austin’s best kept secrets. The Band of Heathens is an Austin supergroup that consists of some of Austins best players and songwriters. They play a Band/Dead inspired blues rock that goes down pretty smooth.

The new record One Foot In The Ether is out in September but can be pre-ordered here.

LA County Blues

{MP3} Sam Baker – “cotton” (Music Road Records, August 25)

Friday, July 31st, 2009

I can’t pretend to be anything but a fanboy of Sam Baker. I’ve been anticipating this release since I first heard about it 6 months ago. I truly believe Sam Baker is a poetic soul who despite (or perhaps because of) impossible obstacles has become one of the greatest singer songwriters the country has ever seen. cotton (Music Road Records) is the third in a trilogy of albums that are an attempt by Sam to deal with an event that happened over 20 years ago. I’ll cut and paste rather than rewrite the bio:

“In 1986, at age 32, Baker was traveling in Peru when, as he says, “I got in the middle of somebody else’s war.” A terrorist bomb (the Sendero Luminoso or “Shining Path” Maoist group) blew up the train he and some friends were riding on. Several passengers died, including a German boy and his parents, who were sitting next to Baker. Though he nearly bled to death, Sam survived but suffered a constellation of injuries and aftereffects—shrapnel in his leg, renal failure, brain damage, even gangrene.”

Sam Baker’s songs have the most carefully chosen lyrics you will ever find. Because of the permanent brain damage he incurred it’s tough for Sam to access the words he needs for his songs. As a result the songs on his three records have fewer words than typical. But each word is a labor of love; worked on, shaped, and chosen because it’s the perfect fit. Sam Baker is spoken of in hushed voices and with great reverence by the most respected singer songwriters, by his fans, and by members of the music press.

cotton picks up where 2007′s perfect world left off. Namely with stories of Mennonites who have lost their way, references to the Virgin Mary, Palestine and the Traveling Nazarene, and the homeless. Here’s just a small smattering of phrases that resonate with me:

The moon got lost tonight
Drank beer by the quart out of mason jars
A laundromat in Natchez; It’s not exactly what I dreamed
She wears an all night wrinkled shirt
There are a thousand ways a person in the snow gets lost
One Day he just walked away; kicking up dust; right in the middle of the day
She was standing at the bar; holding court; a push up bra for extra support

I think music bloggers on the whole are constantly questioning how much good they can do. I have the same doubts as some of my favorite blogs that have gone dormant over the years. By and large the blogs that I love are trying in their own small way to make a difference in the lives of the artists whether that is through promoting a new CD, helping with a concert, or simply pushing their favorite bands on their friends. I’m the same way. I don’t want recognition/praise for my actions, but I do want to succeed in spreading the word about each and every artist reviewed on Songs:Illinois.

So here’s the kicker and the reason for the prologue above:

Songs:Illinois will be on hiatus until we prove we can make a difference when/where it counts (namely $$$). So email me at cbonnell@gmail.com when you have pre-ordered the Sam Baker CD or purchased the download (we’ll just have to use the honor system). When I get enough emails I will return to the site with voluminous thanks and gratitude to everyone that helped hit the goal (not sure yet if the goal will be ten people, a hundred people, or a thousand people buying the record).

So, long story short, I’d like you to help me help Sam Baker. Pre-order his new CD here through Amazon or download cotton legally through Amazon here (for only $8.99) or for those of you in the UK here.

Check out “Signs” below and buy the record so I can return to writing about and sharing the music I love.

Signs

Corin Raymond – “There Will Always Be A Small Time”

Tuesday, July 28th, 2009

Corin Raymond is a Toronto based singer songwriter whose new record is atop the European Americana charts. I tracked down Corin on the road in an attempt to get clearance to write about his new record There Will Always Be A Small Time. He sent three songs and each was more personal and charming than the last. I can only post one song but you should click here to get the new record.

The title track is a romantic waltz more about music and community than getting the girl. The song is about Corin and his band’s attempt to make it by playing local lounges, selling d.i.y. CD’s from the bandstand (since the local record store is gone), and converting one fan at a time. It’s a song that couldn’t and wouldn’t be written in Nashville.

You can experience this song and the community it describes by checking out Corin Raymond and his band every Thursday at The Cameron House in Toronto. Tell `em you heard about the band and its music “through the grapevine” and that you brought a friend. He’ll know what you mean.

There Will Always Be A Small Time

Honky-Tonk Friday – Owen Temple “Dollars and Dimes” (Self-released, June 9)

Friday, July 10th, 2009

I honestly don’t know where I’ve been on the new Owen Temple record. His criteria for appearance on Songs:Illinois are many (“the force is strong with this one”): he’s an Austin singer songwriter with debts to Guy Clark, Steve Earle and Townes Van Zandt, he is #1 on the Euro Americana chart, and he’s net savvy enough to give away his new record for free.

“Golden Age” is a song about his old Austin stomping grounds (O Henry’s Back Forty) and its demise when the new Hilton went up downtown. Usually you’ve got to take my word on an album with just one song as a sample of its wares. But with Dollars and Dimes you’re free to download the whole thing here courtesy of Owen Temple. In return you should check him out on tour this summer

Golden Age

Ian Williams – “Bible Black Heart” EP (Adventure Club Records)

Wednesday, July 8th, 2009

At this point, after being in the music blog racket for a number of years, I don’t have any misconceptions about my role. I have a small blog that will never break out traffic wise because I choose not to write about the band of the minute. But I’ve really taken this approach a step too far lately by purposefully trying to write about bands that stump Elbo.ws and Hype Machine. One such artist is the British singer songwriter Ian Williams. A quick search on both sites reveals no other post about this British artist.

The new EP by Ian Williams has just been released by Adventure Club Records. Although Ian is originally from Wales he makes his home now in Leeds and is part of that city’s americana/alt-country movement. Here’s the “Amputation song” from Bible Black Heart. I think you’ll see why this gently strummed, richly sung song deserves time on songs:Illinois.

Amputation Song

{MP3} Paul Burch – “Still Your Man” (Ramseur Records, Aug. 18)

Tuesday, July 7th, 2009

I’ve been waiting on a couple big releases. Amazingly two of the three that I’ve been drooling over have a connection to the small label Ramseur Records. The first is the new one from the Avett Brothers (they may have now moved on to a major label but they are still managed by the folks at Ramseur) and and the second is the new record from Paul Burch & WPA Ballclub that is out Aug. 18 on Ramseur. The third is the new one titled Cotton by Sam Baker (but more on that in a few weeks).

Still Your Man is the new one and though I can’t vouch for the whole thing from the notes accompanying the record it sounds promising. Paul Burch set out to make a record with it’s own distinctive yet classic sound (think Sam Phillips of Sun). Paul Burch’s early records on the now defunct label Checkered Past are underground americana classics. I’ve fallen off the bandwagon a bit since those early records but I’m climbing back on!! Here’s the title track:

Still Your Man

Exclusive new song from Richmond Fontaine (Trash Aesthetics, July 20)

Tuesday, June 16th, 2009

The English label Trash Aesthetics brings us new music by Richmond Fontaine via a limited edition 7″ out on July 20th. The 7″ will be released with a hand silk screened cover, a short story by Wily and other goodies. If you can’t wait for the band’s next release due out in September or you are a completest when it comes to Richmond Fontaine you’ll want to pick up this 7″.

On the A-side single “You Can Move Back Here” the band conjures up the best of the early Replacements as well as keeping the classic Richmond Fontaine sound in tact. Whereas this song is a well produced rocker (for this band) the b-side, “Now You Know It Too”, is a melancholy ballad full of atmospheric acoustic guitar and achingly beautiful vocals. More info on this release here.

BTW Trash Aesthetics will release The Tailors long awaited album “Come Dig Me Up” in September…

You Can Move Back Here

Leeroy Stagger’s new record “Everything Is Real” (Boompa Records, April 28)

Thursday, June 11th, 2009

The Canadian label Boompa Records has released the latest record from Leeroy Stagger. His name itself conjures up southern fried rock, Dukes of Hazzard, and gumbo don’t you think? His music though is pretty straight ahead roots rock. But it’s solid stuff. His song “Petrified World” off the new record Everything Is Real is filled with plenty of clever lines about life on the road as a traveling indie musician.

Everything Is Real features guest musicians and singers like Tim Easton, Neal Casal, and Evan Phillips (The Whipsaws). Buy the new record here now.

Petrified World