Archive for the ‘Folk’ Category

Frontier Ruckus – A Uniquely American Folk Band (Quite Scientific, Nov. 6)

Wednesday, November 5th, 2008

I was holding off on writing about Frontier Ruckus. I thought that by now the blogosphere would be abuzz with news/reviews/raves of their new record and debut lp Orion Songbook. But a quick perusal of Elbo.ws and Hype show that that is simply not the case. Since I was responsible for bringing the band to Chicago to play a show at the dive of all dive bars – Cal’s, I consider it my duty to continue to write about this band.

The band’s website gives a clue as to what’s important to them. To get anywhere on the site you first have to click through page after page of song lyrics from this new record. Frontier Ruckus are not an easy listen lyrically. The songs are stream of consciousness rants and choruses are few and far between. But when you back these lyrically complex and earnest tales of the country with mandolin, banjo, musical saw, acoustic guitar and an assortment of percussion you get a sound that is unlike any other. The record comes out Nov 6 but I’m sure you can pick it up now via the band’s label (and the pride of Michigan) – Quite Scientific.

Orion Town 2

“Animals Need Animals”

Lost Discs of 2008 – Rose Polenzani’s “When The River Meets The Sea”

Thursday, October 30th, 2008

I love Rose Polenzani. I love her goofy YouTube video’s. I love her songs. I love the fact that she’s got so many friends in the folk community. I love the fact that she’s from Boston (my hometown).

This new record has barely had time to be a “Lost Disc of 2008″ as it was just released nationally on Oct. 1. But even from the start it’s an under-the-radar record from and under-the-radar artist. This record has not appeared on any of the various release lists I peruse, yet it is one that I would value above many of the records that do make those lists.

Rose is joined by my favorite rag tag group of Boston musicians, Session Americana, on this record. They recorded it live in ex-Morphine leader Mark Sandman’s studio. Special guests include Jennifer Kimball and Anna Egge. When The River Meets The Sea is available now from Rose’s site here. Rose will support the release of this record with a mini tour in November. She’ll be stopping in Evanston on Nov. 16 to play a club called Space.

Queen Anne’s Lace

Bonus songs from Rose Polenzani

Book Of Love

Session Americana bonus mp3′s

Leather Winged Bat (from their “family” record)
Caterpillar (from their “family” record

Cigarettes and Whiskey
Sail Away Ladies

Rose on YouTube

“The Park”

“The Book Of Love” (Magnetic Field’s cover) (blooper reel)

Where Your Scar Is (With Anne Heaton)

K.C. Mckanzie (Berlin’s answer to Gillian Welch) and her new record “Hammer & Nails”

Friday, October 10th, 2008

Starting every fall the release schedule for both major and minor releases starts to dry up. There’s a huge drop off as major labels get positioned for Christmas sales of their biggest titles and indie labels lick their wounds and prepare for a cold, dark winter. So I traditionally do a best of re-post kind of thing. A little like a best of but in no particular order and unlike any best of list you’re likely to see elsewhere. I’ll probably do that again this year, but I also will continue to search high and low, near and far, for new music to share with you. I searched far for the German singer-songwriter K.C. Mckanzie. And I’m glad I did.

K.C. Mckanzie’s new record is called Hammer & Nails. Her music can be traced back to the story of the first time she heard The Band and thought this is the sound. While still in her teens she discovered bluegrass and the rest is history. Here’s the lead off track from Hammer & Nails:

Adam

Jeffrey Foucault does John Prine plus “Money Blues” from the European release of “Ghost Repeater”

Monday, September 8th, 2008

Songs:Illinois fave Jeffrey Foucault has prepared a covers album featuring works by John Prine. How perfect is that? One of the best of the new generation of “folk” singers covering songs by one of the best of the older generation.

Here’s an un-mastered version of the Prine classic “Storm Windows” that will appear on Shoot The Moon Right Behind The Eyes when it is released this fall. Jeffrey Foucault and Kris Delmhorst play Schubas on Oct. 30.

Storm Windows

Bonus tracks from Ghost Repeater’s European release

Shadows Tumble
Money Blues

Tom Ovans “Party Girl” (00:02:59 Records, Aug. 26)

Wednesday, September 3rd, 2008

Look, a lot of shit’s already been written about Tom Ovans and his record Party Girl. That’s because it came out as an import on an English label in 2007 and also because of it’s apparent greatness. There are two fine reviews (here and here) that are only lacking in the notable absence of mp3′s.

To rectify that here’s a couple of songs from Austin based folk-bluesman Tom Ovans (btw that’s the closest semblance of a label that will fit). The new record, Party Girl, is getting a nice re-release on the fine roots rock label 00:02:59 Records (Scott Kempner, Willie Nile, Christopher Denny). Buy it here.

West Texas Blues
Both Sides of the Night

Honky-Tonk Friday (UK Edition) A Southern Folk Opera By Lee’s Company

Friday, August 29th, 2008

Don’t ask me where I find this stuff cause I honestly don’t know. Just thank me in the comments;) Seriously, a folk opera of the old South by a band out of the UK, how cool is that? On the song “Southern Boys” it sounds like Joe Strummer meets Charlie Daniels and you know that can’t be bad. The band is called Lee’s Company and the new record is White Mansions.

Buy the new record here.

Southern Boys

Last Dance And The Kentucky Racehorse

David Olney – “Live At Norm’s Road House Vol 1″

Thursday, August 28th, 2008

David Olney’s Live At Norm’s River Road House Vol 1 is a hit and miss affair much like the man himself. He’s capable of writing disarmingly good songs but at other times he’s content to wallow in the kind of blustery blues rock that gives blues a bad name. When he’s at his best like on the Rounder releases High, Wide And Lonesome and Through a Glass Darkly his combination of literate, poetic lyrics and by turns somber and then preacherly delivery is hard to beat.

You can pre-order this August 26th release here now or here.

Who’s The Dummy Now

Bonus track from The Wheel:
Boss Don’t Shoot No Dice
Bonus track from The Migration
Speak Memory
Bonus track live via Folk Alley
Jerusalem Tomorrow

Blue/Newgrass Tuesday with Red Molly plus wtf – Howard Wolfson on indie rock (plus plus George Wirth)

Tuesday, August 26th, 2008

I’ve been including a newgrassy song each and every week for as long as I can remember. Whether it’s The Duhks or Crooked Still or even The Felice Brothers I’ve tried to be a proponent of this style of music for the last few years. So now I feel like I can’t ignore this genre and the once weekly feature.

Red Molly’s new cd Love and Other Tragedies has been out since May but I’ve only just heard it. You can pick it up now through Amazon here. “Wichita” is a nice cover of the Gilian Welch tune of the same name.

Wichita

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The LA Times did a piece on former Hillary Clinton campaign chairman Howard Wolfson. Surprisingly it had little to do with politics and more to do with his love of indie rock. We’re all music snobs here, right? We all think we’ve got better taste than our friends, our enemies, and certainly any talking heads on TV. So it hurts me to say this but that dude’s got some pretty fine taste in music. His music blog is still young (Gotham Acme) but it came out of the gate nicely formed (the header’s got cool and original art, cool blogroll, and a working search function). He covers some tired ground in posts about TV On The Radio and Grizzly Bear but makes up for it with posts on BLK, Francois Breut, and Kelly McRae. Also any mention of The Feelies is always appreciated by me.

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George Wirth has a song on the new Red Molly cd. If the music business was a fair and balanced competition, where the best songs come out on top, you’d have probably have heard of NJ’s George Wirth by now. But if this is your first time enjoy these two songs from his debut.

Eisenhower, 1952
Snowing In Jeruselum

Mark Erelli – “Delivered” (Signature Sounds, Sept. 16)

Thursday, August 21st, 2008

I consider Songs:Illinois to be a folk music blog. It may lean a bit indie or americana at times. Or it may encompass some of the new world music that’s been cropping up (particularly any of the modern gypsy music that I’ve posted over the years) but by and large it deals with folk music – lucky for me that is a very broad term that can contain genres like blues, country, gospel, roots, etc etc.

So it should come as no surprise that I’m enamored with the folk label Signature sounds and its small stable of artists. Mark Erelli is one such artist. He’s one of a handful of singer songwriters poised to join the upper pantheon of folk artists like Greg Brown, John Prine, John Hiatt and Steve Earle. I’ve written about his music in the past. His guitar playing is simple but great sounding and his songs are consistently captivating, usually with a phrase here or there that is unforgettable.

Mark Erelli’s got a new record out on Signature Sounds called Delivered. “Five Beer Moon” leans a little more pop than folk. On it he uses his voice to great effect sounding like a combination of Nick Lowe and Elvis Costello. If you’re more of a fan of folk based finger-picked guitar check out his cover of the Greg Brown song “If I Had Known” that I just had to include even if it’s not on the new record. Pre-order Delivered here.

Five Beer Moon

Bonus cover song recorded August `08

If I Had Known

Joel Rafael’s protest song – “This Is My Country” (so unlike that Mellencamp jingoistic Chevy ad joke-of-a-song)

Wednesday, July 16th, 2008

Joel Rafael released a record on Inside Recordings (Jackson Browne) earlier this spring. I’ve only just heard of it so I think maybe it may be getting a slightly wider release this summer. Joel Rafael has written a great protest song on the new record that clearly refers back to his idol Woody Gutherie. He also covers two of Steve Earl’s more political songs, as well as getting some help from contemporaries like David Crosby and Graham Nash on backing vocals.

This song deserves to be heard in this election season and I imagine the whole record would be great especially for fans of Steve Earle, Neil Young, and Woody Gutherie.

This Is My Country

“This Is My Country” video

David Viner’s “Among The Rumours and the Rye” (Loose Records, Sept 22)

Friday, July 11th, 2008

London born and occasional Detroit resident Mr. David Viner has been signed by my favorite UK label Loose Records. It’s a great signing since David Viner’s brand of folk blues relies heavily on a gothic blues underpinning that should play well in Europe (think Nick Cave, Grinderman). His debut for Loose will be out Sept. 22 and is called Among The Rumours and the Rye. The first single will be a duet featuring Jaymay called “Go Home”.

You can hear bits of blues, Rolling Stones’ swagger, English folk and more in these three unreleased tracks from Viner’s archives.

Get Through This
Easier To Cry
Rolling Along

Sammy Walker – “Misfit Scarecrow” (Ramseur Records, July 22)

Friday, June 20th, 2008

Songs:Illinois is really only possible because of all the great folk music that came before. It’s too easy to recite names like Bob Dylan, Steve Forbert and Dave Van Ronk the big influences since it’s really all the lost artists that came before that is its basis. Sammy Walker is one such artist. Although he recorded for Folkways and then Warner his name is not known to me. It’s been twelve years since his last record and now the great Carolina label Ramseur Records will release his new record Misfit Scarecrow on July 22.

“Mississippi Delta Cried” is the story of Emmet Till put to music and folk lyrics. There’s also two demo recordings of songs from the new record.

Mississippi Delta Cried

Demo’s:

Crazy Billy
When You Miss Me When I’m Gone

Two new videos from Jon “Trailerpark” Jackson

Friday, May 16th, 2008

Jon Jackson wrote the other day with news of more uploaded video’s. And I swear him sitting in his trailer somewhere on the outkirts of Nashville is somehow better that each and every overproduced video I’ve seen on the web or CMT for God’s sake. I’m thrilled he put up “Green Apples” but also excited to hear his ode to the Waffle House girl song, “Excuse Me”, for the first time.

His debut record Green Apples is a Songs:Illinois must-buy recommendation here (do we even have that!?).

P.S. John will be playing the latest incarnation of the Songs:Illinois House Concert series on June 6 along with Joe Pug from Chicago and Michael Fracasso all the way from Austin, Tx. If you’d like to come email me here – cbonnell@gmail.com.

“Excuse Me”

“Green Apples”

Misc. Thursday – New records from Joshua James, Annie Keating, and Matt Bauer)

Thursday, May 8th, 2008

These are a couple half-written posts from the last month. I never had the gumption or the wherewithal to fine tune them individually. So I added them altogether for a nice little group post. Enjoy.

This record, The Sun Is always Brighter, by Joshua James has been kicking around for a year or so. Due to his popularity, tour dates opening for some pretty fine artists (Justin Townes Earle, Lex Land and The Swell Season) and great press it will be be remixed and reissued on CD and vinyl in June.

FM Radio

Bonus

http://homepage.mac.com/cbonnell/Sites/.Public/custom-concern.mp3“>Custom Concern
Soul and The Sea

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Annie Keating is a NYC based Americana artist who has been compared to Lucinda Williams and Gillian Welch. But her slow tempo, often langorious alt-country is more in the realm of Mary Gauthier. Her vocal delivery always traverses the same range as well…it’s like a low growl. Her new record is called Belmont and is available here.

The title track shows why this genre is perfectly suited to nostalgic songs about growing up, growing old and remembering it all like it was just yesterday.

Belmont

For The Taking

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Matt Bauer is prepping a new record for Crossbill Records. It’s called The Island Moved In The Storm and is a co-production with the label La Societe Expeditionnaire. I’ve written about Matt’s introspective indie folk before here and here.

Matt’s recently moved from the West coast to NYC and I wonder if that move has influenced this new batch of songs. On “Don’t Let Me Out” there’s a bit more to the production (including a dissonant accordion) than just the acoustic guitar of the past. I’m really looking forward to this new record from Matt Bauer.

Don’t Let Me Out

From the stripped down Hinah session recorded on April 10 in France

Sea Lion Woman

Carve It Out

Lisa Cerbone

Monday, May 5th, 2008

I’ve got a couple kids. And they drive me crazy. The most recent incident was a bad fall at the park by my 3 year old resulting in 4 stitches just millimeters from his right eye. Then one day this weekend both kids cried and tantrumed off and on all morning (mostly on). But all of that is quickly forgotten with a hug, a shared book, or a single that makes it out of the infield at t-ball.

Because of my kids I can relate to Lisa Cerbone’s new song for her daughter “Mia Noelle”. The lines in here that strike home about kids are “we have fallen under your spell” and “making friends with everyone”. That’s the truth about little kids.

Lisa’s new record is called We Were All Together and is the first for her in over seven years. Lisa has worked extensively with Mark Kozelek in the past, although on this record she collaborates with some of Baltimore’s finest musicians.

I was introduced to Lisa on a lullaby sampler put out by La Blogotheque. The songs on the new record can be thought of as lullaby’s as well. They’re mostly soft with gentle fingerpicking and subtle instrumentation. Lisa’s voice is stunning and haunting in equal quantities. You can buy this here now at Amazon.

Mia Noelle

Bonus:

“Tiny Patch Of Earth” video

Joe Crookston – Falcon Ridge Folk Festival approved

Friday, April 11th, 2008

Usually you can trust that these daily recommendations are coming directly from me. Whether you like them or not the referral is coming straight from this horses mouth with little influence from the wider marketplace, pr machines or record labels. But today’s post on Joe Crookston comes courtesy of Falcon Ridge Folk Festival and their emerging artist showcase. The festival handpicks a couple of artists to be both their representatives and goodwill ambassadors. They tour together in advance of the fest and then play that weekend.

Joe Crookston combines startlingly nimble guitar playing with original but old school type folk songs. The song “Mostly” highlights his playing, singing and lyrical mastery. It’s taken from his new 2008 release Able Baker Charlie and Dog. Buy it here.

Mostly

Bonus song

Little Pink

Matt Keating – “St. Cloud” from the upcoming record Quixotic (plus “Good Enough” by The Waybacks)

Thursday, April 3rd, 2008

Hey all,

How’s your week going? Mine’s OK. Thanks for asking.

I just heard about a new record from Matt Keating. It’s a double cd called Quixotic. Matt made a name for himself in the early 90′s with albums that resembled the crunchy power pop of Mathew Sweet. He’s mellowed over the years (haven’t we all?).

I can’t claim to give you a full assessment of the new record, but if you were a fan of power pop back then but now like your music at a slightly less frenetic pace than you should look into Quixotic from Matt Keating.

St Cloud

Bonus track:

Who Knew

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On a completely unrelated note, there’s a new record by The Waybacks out now on Compass Records. The song “Good Enough” is a good example of their easy rockin’ acoustic country sound. You can buy the new record, Loaded, here.

Good Enough

That’s it for today.

Cheers,
Craig

New song from Rachel Ries (plus a great gig with Vandaveer and These United States in April)(Plus another new song from Langhorne Slim)

Monday, March 24th, 2008

On the new song “Adrian” Rachel Ries proves that her goofing off in her Chicago apartment is better than most artists overdubbed studio B.S. This song is called “Adrian” and according to Rachel’s MySpace is just her singing in her living room.

Somehow Rachel has managed to imprint her voice in some unused corner of my brain. Now every time I hear her I have to stop dead in my tracks and listen, really listen, as her voice dips, soars and then dives like a rollercoaster nearly coming unhinged. Despite this being a home recording from Dec. 2007 you can still clearly hear into every nook and cranny of the song and also hear every nuance of Rachel’s phrasing and delivery.

Rachel Ries and her full band are part of a great lineup at The Hideout on April 3. She’ll be appearing with Vandaveer and These United States.


Adrian

P.S. I was supposed to write a preview and maybe hook up with Langhorne Slim tonight at The Hideout. Put unfortunately the show was canceled. The good news is that the reason for the cancellation was a sudden invite by David Letterman for Langhorne to play this Wednesday on Late Night With Letterman.

While we wait for that let’s hear another from his upcoming Kemado debut. Here’s the rave-up “Rebel Side Of Heaven”:

Rebel Side Of Heaven

A song off of Shelley Short’s upcoming record “Water For The Day” (Hush Records, April 22)

Wednesday, March 12th, 2008

I find that Shelly Short’s near inaccessibility is one of the things that draws me to her music. She has a wonderful voice and very good ear for creating both the lyrics and the music to compliment it. But she’s not content to create something that is easily digestible. On the surface her music is very listenable but just under the surface there are subversions and distractions that lend it an air of mystery or an ethereal quality.

On her forthcoming record Water For The Day the pedal steel languishes just a little bit longer than usual, her voice flutters and swoons in unusual manner and her repeated use of phrases or portions of phrases toys with the traditional notion of verse, chorus, verse.

The song “Swimming” below is one of the most straightforward and most beautiful songs on the record (but still listen for the odd guitar plucking). The new record is due out April 22 on the always excellent Portland based label Hush Records.

Swimming

SXSW Preview Pt. 6 – A new song from Langhorne Slim’s self titled Kemado debut (April 29)(Plus Dawn Landes with The Earlies)

Monday, March 10th, 2008

In my mind I may have already typecast Langhorne Slim’s music as crazed-one-man-band-rebel-folk-blues. So it was a slight surprise to hear songs from his new record that are fleshed out with cello, piano and pop melodies I wasn’t even sure he was capable of. Langhorne has one of those horrible major label stories I’m sure. He was signed by V2 in a move that could only be called mystifying. Sure, it was clear he was a major talent, but it was also clear that this was not a guy that they could change and meld into a safe bet like a Damien Rice or Ray LaMontagne. Of course he was promptly dropped by V2 and has now reappeared on the respected indie label Kemado.

His new self titled record is out on April 29th and features the song “Restless” from his V2 EP Engine along with 12 other new tracks. Picking out a song was pretty easy as Langhorne has chosen “Diamonds And Gold” as one of his favorites from the record. Like the others from the record it’s virtually abandoned the frantically strummed guitar of his previous records and notorious live shows.

Bonus song:

Diamonds and Gold

Restless
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It’s a bit absurd how often I’ve written about Dawn Landes. I’ve been talking about her newly re-released record Fireproof for what seems like two years. But she’s deserving of such high praise. This song is the A-side to a 7″ she did with The Earlies. You can buy it here; Dawn’s off on a European tour supporting Josh Ritter on March 20th. But first you can catch her at SXSW at St. David’s Church on Thursday the 13th.

Caroline