David Ramirez is an acclaimed singer-songwriter based out of Austin, Tx who has somehow hovered just outside my awareness. With several full length albums and a couple of EP’s under his belt David has made a name for himself as an honest songwriter who captivates live and ensnares victims with his intimate songs.
The new record is an EP called The Rooster that will be available exclusively on iTunes on May 5. According to David he’s taken some sonic risks and altered his sound somewhat on this ep. As a new listener I hear some of that sonic experimentation but by and large it bubbles under the surface. On “The Bad Days” David sings about his love and how even on his bad days she is there for him.
Catch David on a co-headlining tour with Jay Nash from May 22-June 15.
Gina Villalobos is working on a new record which should make you happy. Sounds like it is being mastered as we speak. In the meantime she has released some b-sides that for some reason never made it on to disk. I’m partial to this song, “You Took all My Shine”.
Follow Gina on Twitter for her insights on music, lgbt issues and women’s soccer
This Kris Kristofferson cover of “Josie” is taken from the debut record from Canadiana band The Parlour Bothers. The bands melancholy style is just perfect for this song of innocence lost and a wayward soul. This is tasteful mid-tempo alt country from a band that will only improve over time.
I’m not exactly sure which level of the americana/roots stratosphere Nora Jane Stothers resides in. She is talented, beautiful, and a strong songwriter. Her music has equal parts bluegrass and sing-songwriter elements. That she is difficult to pigeonhole is a plus in my book. Her new record Carnival is due out April 16th. It’s the second full length from Nora Jane.
“Party Line” is a track from the forthcoming release and it showcases both her strong vocal presence as well as the top notch musicanship of her touring ensemble. Preorder Carnivalhere.
Well SXSW is over. I had a great time at all the day parties and a few of the events at night. I never see as much as I hope for but I was happy to see Drivin n’ Cryin, Steve Poltz, Spirit Family Reunion and bands I’d never heard of like Telekinis and Hurray For The Riff Raff.
Here’s a group that was not down in Austin but judging from their sound would fit right in any time of year down there. Stella! and their new record Sorry, Stella came out in 2012 but is just now picking up traction and considerable radio play. Stella! consists of singer-songwriters Jen Sygit, Diana Ladio, Laura Ann Bates and Jo Serrapere. It’s a Michigan supergroup of sorts put together by Jo Serrapere one of the founding members of Uncle Earl. You can buy the new record here via the band.
Branches haven’t left the West Coast very often. As a result I’ve never seen them. That will change this SXSW as they are one of my must see acts of the festival. Their 2012 release Thou Art The Dream has all the handclaps and singalong choruses you could hope to wish for in an indie folk collective. The strained vocals on top of banjos, guitars, violin, pump organ and odd percussion performed by this group of effervescent Californians will have you clapping and singing along.
Join me singing off key at either of their shows. Thursday at the All Together Now showcase at Bayou Lounge at 2pm or for Friday brunch at 11:30 am at the Hipstamtic Showcase located at 509 Brushy Street.
If you’re at all like me you had a hard time motivating this morning with the time change and Monday morning blues then you’ll need this as much as I did. The only thing that got me going was the new song from Austin based r&b singer and genre smasher Emily Bell. The fuzzy pulsating music topped off by Emily’s roaring vocals had me tapping my foot and clearing the sleepies from my eyes.
This song is available now along with a b-side from iTunes or from Emily’s website in the form of a 7″ vinyle single (with download card). You can catch Emily Bell at her official SXSW showcase at Creekside at The Hilton Garden on Friday the 15th. The new album In Technicolor is out on May 24th.
Whistling reminiscent of Peter, Bjorn and John, reverb-y americana a la Jim White and fuzzy guitars make this song by the Austin based band Crooks pretty darn likable. Add to that the fact that their showcase is at The White Horse along with the likes of Lincoln Durham, American Aquarium and Jason Eady and you have a pretty great combination. Catch the band Tuesday March 12 at 9pm at their official showcase at The White Horse.
Here’s the title track from their 2012 release The Rain Will Come.
Jonny Corndawg never had a chance. Not with that nomiker and not with his irreverent style of country. Now he’s back but this time as Jonny Fritz and on ATO Records. His new record Dad Country is due out in April. From the single it seems he has kept the wry humor along with the authentic country sounds.
Catch him at SXSW on Thursday at the ATO showcase at Maggie Mae’s or at Rachel Rays party; on Friday he’ll be at “South By Sapparo” and the Ground Control party at the Mohawk. Lots more info here.
Luke Winslow-King is a name that was on the periphery of my musical landscape. On a multiple choice questionaire I’d have been able to pick his name out as the one musician on the list but that’s about it. His music was mostly self-financed and self-released. That’s about to change with the re-release of his 2012 release The Coming Tide on Bloodshot Records. This is a great signing for Bloodshot as LWK is a perfect compliment to label mate Justin Townes Earl. Both have absorbed the New Orleans sound and made it their own. Both are photogenic, young and hip in a good way. And now both are on Bloodshot.
The title track is a good example of LWK combining and smashing genres. You’ll hear gospel, blues and folk on the track below. Bandmate Esther Kings’ vocals are a revelation on this song. Lots more info on Luke Winslow-King on Bloodshot here. Catch him and his band at SXSW at The Bloodshot official showcase Wednesday night at the Continental club.
I’m a fan of both of these artists. They’re americana mainstays, Austin luminaries and now a married couple. Their new record together is called Cheater’s Game. The Bruce and Kelly Show will be playing SXSW at KDHX’s Twangfest along with acts like Kelly Hogan, Mount Moriah, Pokey Lafarge and Dale Watson. Along with the Bloodshot party this is one of the must see parties. Here’a song off the new record that features Kelly Willis as a wounded participant in the game of love.
I sometimes fail to write about releases from Yer Bird but I never fail to listen and have always been impressed by the curatorship of the label. Small Houses is the project of Philadelphia by way of Flint singer-songwriter Jeremy Quentin. A couple of excellentblogs have already done nice reviews/previews of the Feb 26 release of Exactly Where You Wanted To Be. They all focus on the starkness and simplicity of the recording and the songs. I can’t add anything there. They also all link to a song from the record so I’ll avoid doing that too. Instead I have a song from the record that was recorded live at WXPN for Folkadelphia. It’s even simpler and starker if that’s possible. Great to hear every strum, breath, whisper and rasp.
Preorder the new record here and catch the band on the upcoming tour or at SXSW (where I plan to see him).
I should have written about this Tracy Huffman record months ago. I apologize to all parties involved. The record was produced by Charlie McGovern and recorded on an 8 track tape machine in Cosby, Mo (population 143). The music positively glows in a way that only an analog recording can. The dynamic range is huge although unlike most rock recordings you’ve literally got to turn this one up all the way to hear all the nuances.
“Pissin’ In The River” off of Pieces has a great almost acapella opening that quickly (d)evolves into a funky little honky tonker. Pick up Pieces (here) for yourself to hear one of the most unsung (and worthy) americana artists performing today.
I have, what I think is, an irrational love of the band Parquet Courts and in particular the song “Borrowed Time”. I wrote about them and linked to this song here back in July. They are going to be down in Austin for SXSW and I will be trailing behind them like a lost puppy. Here’s a newish video for the song “Borrowed Time”
We’ll no doubt be hearing about Danni Nicholls this spring and summer. She has just finished recording her debut in Nashville with producer Chris Donuhue (Emmylou Harris, Buddy Miller). In Fact I spotted her with Will Kimbrough and Emmylou Harris in some photos on her Facebook page. Chances are we are soon going to be enchanted by this British chantreuse. Why not get a head start with a little ep she recorded in a church in England that she has released as a teaser to the full length.
Danni has really captured that reverb soaked 50′s country sound – these are primarily ballads but she pulls them off with aplomb. Here’s a song off that new ep called “Between The River and The Railway”. Lots more info about Danni and the upcoming full length debut on Pledge Music here.
It’s hard for me to find out about all the great new releases out there and I’m constantly looking/listening. Imagine how hard it is for even a very informed active music fan. Now imagine your typical NPR listening, Starbucks swilling suburban mom. I know they’ll never hear any of these great artists but I can try, can’t I?
Pharis and Jason Romero are a duo from the British Columbia town of Horesfly. They share their music and their passion for early country music in their recordings and in their banjo building company. Long Gone Out West Blues is the followup to their 2011 release A Passing Glimpse that I wrote about here.
These guys will get all the press and radio coverage they can handle in the acoustic, bluegrass, folk, and old timey country worlds – now if only we can help spread their music far and wide.
Little Sur is a NYC based band that I follow. They have just released their second collection of music entitled You Ran With Me. The record was recorded in NY and in California. There are some found sounds in this recording – notably the sound of the ocean – on the song “The Coast Towards Home”. “The Coast Towards Home” features almost all of the band’s players and extended family of musicians. Banjo, percussion, guitar and towards the end trumpet combine with layered vocals to create a wonderful indie folk soundtrack.
The band has a bunch of video’s from various live shows and internet sessions up on YouTube that will give you a good idea of the band’s live sound. This new EP is available as free download on the band’s Bandcamp page.
Flatfoot, out of East Lansing, is a band in the vein of Uncle Tupelo and Sun Volt; going back further of bands like Dumptruck and The Embarrassment. They mix roots music with a kind of punk rock feel. Their new record is called Blue Water. These guys, playing this kind of music, in this day and age are clearly underdogs. So help `em out with a follow, a link or a purchase.
Phil Lee, a veritable Nashville institution and all around roots music wunderkin, has a new record coming out called The Fall and Further Decline of The Mighty King of Love. This record has traces of blues, New Orleans soul, country and early rock. On “I Like Everything” you get a bit of that Alex Chilton spoken word rap thing.
This is a record that you need to hear in it’s entirety to appreciate the mix of songs and styles. Buy it as soon as you can…
It took a comment on Ramsay Midwood’s Facebook page for me to realize there is a new Tex Smith record coming out. It’s been about a year since I wrote about Tex’ last recordTo A Bird Singing Woe. At the time I was drawn to that record’s pure country sound and little has changed on this new record (though the new one does have a bit more of an slightly gauzzy atmospheric sound). Not to belabor the Ramsy Midwood connection but it seems that he is either playing on the track “There Was A Man” or else Tex has really been influenced by a man he calls “one of my favorite acts in Texas right now” (and I couldn’t agree more). The slightly funky guitar lines of this song simply scream Ramsay Midwood while the country gospel theme of Jesus’ pain and redemption are all his own. As I’ve said before despite being a fairly ardent Atheist I think there is no greater subject for a song than one with religious/spiritual overtones.
The new record is called A Wayfarer’s Lament and is out now and can be picked up at Waterloo Records in Austin or online at CdBaby here.
Glad you found me at my new url. Songs:Illinois is committed to writing about music that is under-appreciated and unique. I've found that the music I write about shares a couple of traits. And they are: lyrical integrity, musically diverse, and written/performed by compelling characters.
Most songs found here are free and legal and have been provided by either the artist or label. If for some reason you'd like to have a song removed, please email me at cbonnell (at) gmail.com.